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Category: Breaking News

  • We Love Teaching!

    Emma is 11, a guitar student, and pretty good. Mom said over the summer she wanted to try out for jazz band. Her teacher is a great teacher (Carrie, on Mondays) but not a jazz guitarist. We’re waiting for the audition piece.

    On Friday Emma’s mom schedules a makeup with me to go over her jazz audition piece, which she had just received from the band director. She shows up, hands me music, and it’s hard. It’s in Bb (literally the worst key for guitar) and has a mix of melodic riffs well outside of 1st position and crazy tricky jazz chords that require insane hand acrobatics. I asked when the audition would be. “Next Friday.”

    My heart sinks, but I hide it on my face. I do manage to suggest they should schedule as many makeups as possible between now and then. I take a photo of the music, and we spend the lesson learning what feels like a ton but is only a tiny percentage of the piece. On their way out, mom schedules another makeup with me for next Wednesday. (Carrie only teaches on Mondays.)

    On Saturday, Walt (another jazz guitar teacher, but Emma’s schedule didn’t work) has a gap because his student called out. I bombard him, shove music in his face and say, I need chord fingerings for an 11-year-old, easy versions, as simple as possible. Go. He spends 18 of his 20 min gap writing chord voicings furiously while muttering things like, we can leave out the root, need the 3rd and 6th, she can play three strings here… then in the last two min I record his hands while he plays the fingerings he wrote. After, I texted the photo of the audition piece, the photo of Walt’s chord fingerings, and a link to the video of Walt’s hands that I’d uploaded to Drive all to Carrie, Emma’s regular teacher. We text back and forth for awhile because she’s panicking a little, too. We both spend our weekends playing the piece and figuring out what to show Emma.

    On Monday, Emma has her regular weekly guitar lesson with Carrie, who also shares Walt’s fingerings and video w/Emma and mom. They get through most of the song, in rough-draft-ish format.

    Wednesday, Emma has another makeup with me. Mom comments that she told her friends we have a “whole army of grownups helping my kid get into jazz band.” Emma is young but very mature and articulates well what she’s struggling with. I’d continued to play the song myself Monday and Tuesday and had determined a few ways to simplify even more than Walt had, so I show her. Overall, I’m amazed at how much she’s accomplished in four or five days, but I’m still nervous.

    I changed a few things and she needs to practice them, so I want to circle back before the audition. I ask what time the audition would be on Friday. Mom says they have to turn in a video, and she’ll check with the director to see if they could submit it Friday evening (and therefore have one last lesson with me… and RECORD the video at the lesson.) The plan is approved by jazz band director, and mom schedules one last lesson with me.

    Friday, Audition Day. Mom says Emma is considering not participating even if she makes it because it’s so hard. I tell Emma, “Don’t you dare!” and give her a huge pep talk about how she has more grit than most adults I know, and that she deserves to be in jazz band, and if she doesn’t make it, it’s not because she’s not old enough (most of the other kids are 12 and 13) or not good enough, it’s just that we could have used more time. I don’t know if the teacher handed them music one week before the audition because she was behind schedule or was testing the kids to see how quickly they could learn the piece, but if the quick turnaround was part of the test, Emma did the best she could and worked harder than any 11-year-old I’ve ever seen. I tell her if she doesn’t make it, we’ll try again next year. She rubs her sore, aching fingertips on the rough, bumpy surface of her chair and smiles.

    We run the new stuff and she nails it. We start recording, but she makes a mistake and we scrap the take. The second take is pretty much as perfect as it was going to get in the time we’d had, and mom submits it.

    Thursday: Mom just emailed to inform me that Emma was selected for jazz band, and I could dance, scream and cry all at the same time to express how happy I am for her. 

    Emma is officially the youngest kid in jazz band.

    *Heart*

    (Previously published.)

  • The Amazing Rock Band Blog Post

    The Amazing Rock Band Blog Post

    by Lauren Tomsen

    Rock band is a class that involves all different types of people who play all different types of instruments. I play the drums and sometimes sing, for a youth rock band called “Rocket Trash”.

    The overall experience is really exciting, and even if you’re drained of energy, rock band will just overflow you with energy. Another fun thing about the rock band class is if you want to play other instruments, you can. Most times we can get pretty silly, but one thing leads to another and we’re back on track again.

    So far there is Nick, Hasit, and Advait, who are all boys, and there is me, Lauren, and I’m the only girl, which can still be fun at times. Right now we are working on a song by Taylor Swift called “Ready For It” and “Eye of the Tiger” by Survivor.

    I have been in rock band for four years, and so far my overall experience is that I wouldn’t be the same without it. We have loads of fun here in rock band class, so why don’t you join us?

  • How to Prepare for Recitals

    Is your child getting nervous about performing? Here’s some of our tips to make recitals seem a little less scary!

    1. Have a practice recital at home! Move some chairs around and have the rest of the family listen to your student perform their piece. Think of it as a real performance! You can even Facetime Grandma for a bigger audience.
    2. Practice the song in the clothes (or costume!) you will wear. It can be a little scary to break out your new shoes on the day of the recital. Make sure you feel comfortable moving around, your shoes don’t slip on the piano pedals, and can take a bow at the end of your song without tripping!
    3. Practice with distractions. Performing live means there is always room for distractions. Maybe a baby starts crying or the door opens. If your student can practice while a sibling is playing video games and Mom is making dinner, it shows them that they can handle distractions!
    4. Watch a YouTube video of someone playing the same song. Getting the song in your ear can help you perform it better. It also helps the student subconsciously memorize the song, which will boost their playing confidence onstage!
    5. Encourage them. At MTMS, our recitals are very laid back and inclusive. Students of all ability levels participate and there is always thunderous applause at the end of each song. They will always have the chance to start the song over if they begin on a wrong note, and their teacher will help them prepare “backstage” before it starts.
    6. Practice, practice, practice! Tried and true, the way to perfect your performance is to practice, practice, practice! Make sure to practice a little bit every day and soon you’ll know that song like the back of your hand.

    We’re looking forward to all of your excellent performances at the Halloween Recitals this year! Reminder, recitals are Saturday, October 20th at Polaris and Sunday, October 21st at Gahanna!

  • What is Music Therapy?

    Happy October, friends!  My favorite month of the entire year is finally here. On top of the beautiful Fall season transitions, October is a very special month in my home state for music therapists.  Every year, the Association of Ohio Music Therapists recognizes October as Music Therapy Month!  I love having this available as a chance to highlight the profession, advocate for what we do, and celebrate accomplishments and advancements in the Ohio music therapy world.

    When I tell people I went to college to become a music therapist, I typically get a lot of questions.  As a passionate supporter of advocacy (and just an overall music therapy nerd), I LOVE these responses.  I am always happy to discuss and inform!  So in honor of Music Therapy Month, I am going to share answers to some of the questions and responses I receive most.  Please know that for many answers, I am directly referencing from the American Music Therapy Association website.  Check it out for more information, the site is a fantastic resource (and fun to browse!)- http://www.musictherapy.org

    “So what exactly is music therapy?”- According to the American Music Therapy Association, music therapy is defined as “the clinical and evidence-based use of music interventions to accomplish individualized goals within a therapeutic relationship by a credentialed professional who has completed an approved music therapy program.”

    “What does a music therapist do?”- Just like other credentialed professionals in the field of healthcare, music therapists assess the well-being of clients; However, they assess through musical responses.  Music therapists assess clients in a variety of areas, including “emotional well-being, physical health, social functioning, communication abilities, cognitive skills,” etc.  Each session is uniquely tailored for individuals and groups based on their overall needs, and music therapists use many different intervention approaches to assess, plan, treat, and re-evaluate.  Among these interventions are music improvisation, songwriting, lyric analysis, receptive music listening, music performance, music and movement, music assisted relaxation, and more.  “Through musical involvement in the therapeutic context, clients’ abilities are strengthened and transferred to other areas of their lives.”

    “Is it a newer profession?”- Music therapy has actually been around for a decent amount of time!  You can find writings dating back to Aristotle and Plato explaining music to be “a healing influence which could affect health and behavior.”  It wasn’t until after WWI and WWII, however, when medical professionals began to realize the effect music had on their patients.  Veterans experiencing emotional and physical trauma from the war were presenting significant positive responses when the musicians came.  Demand continued to grow for more training, and the first collegiate curriculum for music therapy was established in 1944 at Michigan State University.

    “Who do you work with?”- I always like to say that music therapy can potentially make a difference from birth to death!  Scratching the surface, here are some of the populations that music therapists work with:

    • Children, adolescents, adults, and elderly with mental health needs
    • Developmental and learning disabilities
    • Alzheimer’s disease and other aging related conditions
    • Substance abuse problems
    • Traumatic brain injuries
    • Physical disabilities
    • Acute and chronic pain
    • Mothers in labor
    • Veterans
    • Etc, etc, etc.

    “Where can you work?”- Going off of that, there are a variety of settings you can find a music therapist in:

    • Psychiatric hospitals
    • Rehabilitative facilities
    • Medical hospitals (childbirth, NICU, pediatric, ICU, oncology, surgery, etc.)
    • Outpatient clinics
    • Day care treatment centers
    • Agencies serving persons with developmental disabilities
    • Community mental health centers
    • Drug and alcohol programs
    • Senior centers
    • Nursing homes
    • Hospice and palliative programs
    • Correctional facilities
    • Halfway houses
    • Schools
    • Private practice
    • Etc, etc, etc.

    “I saw music therapy on the iPod documentary.”- The Music and Memory℠ program does a fantastic job in revealing the powerful effects of music with older adults; However, it does not represent clinical music therapy.  The iPods provide residents with music they enjoy, but music listening does not replace the work of a credentialed music therapist.  They are trained to use music to meet clinical, non-musical goals with clients (such as enhancing communication, increasing socialization, reducing depression and agitation, decreasing pain perception, exercising remaining mental capabilities, enhancing quality of life, and more).  These personalized goals cannot be met effectively through music listening without further intervention.  This same principle applies to volunteers playing music at the bedside or in the lobby.  Ultimately, I believe that collaboration between MT andM&M allows us to better serve clients as a whole!  Positive partnering is key to helping music impact more lives.

    “How many colleges offer a music therapy degree?”- Currently on the American Music Therapy Association website, there are 81 universities that have an AMTA-approved music therapy program.

    “What all do you have to do to become a music therapist?”- “Those who wish to become music therapists must earn a bachelor’s degree or higher in music therapy from an American Music Therapy Association (AMTA) approved program and have at minimum the entry level credential, MT-BC to ethically practice as a music therapist. The curriculum includes coursework in music, music therapy, biology, psychology, social and behavioral sciences, and general studies. Clinical skills are developed through 1200 hours of required fieldwork, including an internship in healthcare and/or education facilities. These experiences allow students to learn how to assess the needs of clients, develop and implement treatment plans, and evaluate and document clinical changes.  Once the music therapy degree is earned and internship is completed, the student is eligible to sit for a board certification exam to earn the entry level credential, MT-BC, (music therapist, board certified) from the credentialing body, the Certification Board for Music Therapists.  To maintain this credential, music therapists must demonstrate continued competence by completing 100 recertification credits within each five-year recertification cycle.”

    “What goals do you address in Hospice music therapy?”- I get this question often because it pertains to the population I am working with.  Each client that I assess and plan for is going to be different, so not everyone is going to have the same exact goals.  However, there may be similarities.  Here is a compiled list of some goals I might address with clients in my chosen population:

    • Physical
      • Increase physical comfortIncrease relaxation/Provide distraction
      • Reduce agitation
      • Enhance respiratory comfort
      • Decrease pain perception
      • Increase sensory stimulation
      • Improve quality of life
    • Psychological
      • Exercise remaining mental capabilities
      • Engage in life review and reminiscence
    • Social
      • Enhance communication with care professionals
      • Increase meaningful social interaction
      • Increase social support
      • Increase family communication
    • Emotional
      • Elevate mood/Brighten affect
      • Provide comfort and solace
      • Increase emotional support
      • Acknowledge and process life changes
      • Reduce stress
      • Increase patience and family self-expression
      • Identify coping strengths/resources
      • Increase patient and family support and comfort
    • Spiritual
      • Offer spiritual support
      • Explore spirituality
      • Leave behind a legacy

    By Carrie Whatley

  • Classical Music Month Week #2 – Ravi Shankar

    To continue Classical Music Month, here’s another awesome composer!

    Dia5275 Ravi Shankar.jpg

    Meet Ravi Shankar – an Indian composer of Hindustani classical music. Shankar is known for his use of the sitar in his compositions, and using different rhythms to create a style different from other composers.  Not only was Shankar a composer, but he was a gifted sitar player as well. He once collaborated with George Harrison of The Beatles, which inspired Harrison to record part of the song Norwegian Wood on sitar! Shankar passed away in 2012 but his legacy lives on in Indian and Western music alike.